G. K Chesterton, Jane Austen and Mr. Wickham

In his collection of essays, “Come to Think of It” published in 1930 we find this little gem On Jane Austen in the General Election.  I’m not interested in what Chesterton writes about how political commentators are using – or misusing – Austen to argue about the New Woman as much as I am in his observations about George Wickham.  When my husband handed be a print-out of the short essay, I was just finished with my annual re-reading of Pride and Prejudice.  This includes re-reading the novel, watching the Colin Frith/Masterpiece Theater adaptation, and more recently, re-reading the P.D. James sequel, Death Comes to Pemberley, so everything was fresh in my mind.

For anyone who has not read Pride and Prejudice or seen one of the many adaptations, there is a kind of love triangle between the heroine, Elizabeth Bennett; the handsome, wealthy, brooding Fitzwilliam Darcy; and the charming, handsome, impoverished George Wickham.  Darcy is private and quiet; Wickham, open and talkative.  When we, and Elizabeth, first meet the men, Wickham is the more attractive.  Made more so, perhaps, by the fact that Mr. Darcy, proud and aloof, publicly refuses to acknowledge Mr. Wickham.

Wickham

It is Wickham’s explanation that Chesterton writes about.

….A writer in a leading daily paper, in the course of a highly optimistic account of the new attitude of woman to men, as it would appear in the General Election, made the remark that a modern girl would see through the insincerity of Mr. Wickham, in Pride and Prejudice, in five minutes.

Now this is a highly interesting instance of the sort of injustice done to Jane Austen.  The crowd, (I fear the considerable crowd) of those who read that newspaper and do not read that author will certainly go away with the idea that Mr Wickham was some sort of florid and vulgar imposter like Mr. Mantalini. [Mantalini, a character in Dicken’s Nicholas Nickerby, is a handsome man who lives off his wife and eventually ruins her.  Also described as a gigolo.]  But Jane Austen was a much more shrewd and solid psychologist than that.  She did not make Elizabeth Bennett to be a person easily deceived, and she did not make her deceiver a vulgar imposter.  Mr. Wickham was one of those very formidable people who tell lies by telling the truth.

Wickham tells Elizabeth the part of the story that puts Darcy in the wrong.  She has no reason not to believe him and neither do we until we learn the rest of the story from Mr. Darcy himself.  As the story unfolds we learn that while Wickham may not be vulgar, he has a lot in common with the gigolo, Mantalini.  But I digress.

Chesterton, thinking of the General Election, views Wickham as the perfect politician.

….For Mr. Wickham was, or is, exactly the sort of man who does make a success of political elections….And he owes his success to two qualities, both exhibited in the novel in which he figures.  First, the talent for telling a lie by telling half of the truth.  And second, the art of telling a lie not loudly and offensively, but with an appearance of gentlemanly and graceful regret.

George Wickham as the perfect member of Parliament and perfect politician.  I love it!  Maybe the problem with politics today is there are not enough George Wickhams.

Photograph is a still of Adrian Lukis as George Wickham in the 1995 BBC/Masterpiece Theater version of Pride and Prejudice.

 

 

 

 

Jane to be worth 10 pounds

I’m currently reading Jane Austen’s biography by Claire Tomalin and I love Austen.  So this was good news:  Beginning in 2017 she will be on the British 10 pound note. This is a triumph for British women who petitioned for more women on banknotes.  According to the Guardian

Jane Austen has been confirmed as the next face of the £10 note in a victory for campaigners demanding female representation – aside from the Queen – on the country’s cash.

Sir Mervyn King, the Bank’s former governor, had let slip to MPs that the author of Pride and Prejudice was “waiting in the wings” as a potential candidate to feature on a banknote, and his successor, Mark Carney, confirmed on Wednesday that she would feature, probably from 2017.

“Jane Austen certainly merits a place in the select group of historical figures to appear on our banknotes. Her novels have an enduring and universal appeal and she is recognised as one of the greatest writers in English literature,” the new governor said.

He also announced that the Bank would carry out a review of the process for selecting the historical figures who appear on banknotes, to ensure that a diverse range of figures is represented.

And are the petitioners happy?

The Bank of England's design for a £10 note featuring Jane Austen

The Bank of England’s design for a £10 note featuring Jane Austen

Campaigners threatened to take the Bank to court for discrimination under the 2010 Equality Act and launched a petition on the campaign site Change.org which secured more than 35,000 signatures.

Caroline Criado-Perez, co-founder of feminist blog the Women’s Room, who led the campaign, and was called in to discuss the issue with Salmon, said the Bank’s announcement marked a “brilliant day for women”.

“Without this campaign, without the 35,000 people who signed our Change.org petition, the Bank of England would have unthinkingly airbrushed women out of history. We warmly welcome this move from the Bank and thank them for listening to us and taking such positive and emphatic steps to address our concerns,” she said.

“To hear Jane Austen confirmed is fantastic, but to hear the process will be comprehensively reviewed is even better.”

The only other women to be ever be depicted on bank notes are Elizabeth Fry, a prison reformer, and Florence Nightingale.

Austen will take her place on the £10 note in 2017, the bicentenary of her death, replacing the 19th-century naturalist Charles Darwin, who has been on the notes since late 2000.

A writer of what many would consider light fiction or women’s fiction replacing Darwin who, we all can acknowledge, changed the way we look at the world?  Why not?  Both were revolutionary in their own ways.  As Ciado-Perez points out

Criado-Perez conceded Austen was not top of her wish-list as the next woman on a bank note but that she was a particularly apt choice given the context. “She was an incredibly intelligent woman. She spent her time poking fun at the establishment. All her books are about how women are trapped and misrepresented. It is really sad that she was saying that 200 years ago and I am still having to say that today,” the campaigner said.

So is there any controversy?  Yes.  The quote to appear on the banknote is not one that many would pick.

Yet surely there has been a blunder. The new note displays an image of Austen based on the only certain surviving portrait of her, a drawing by her sister Cassandra. Fine. It also blazons forth some of the great writer’s immortal words. You can imagine being the Bank of England employee given the task of finding the telling Austen quotation. Something about reading, perhaps? A quick text search in Pride and Prejudice turns up just the thing: “I declare after all there is no enjoyment like reading!”

The trouble is that these words are spoken by one of Austen’s most deceitful characters, a woman who has no interest in books at all: Caroline Bingley. She is sidling up to Mr Darcy, whom she would like to hook as a husband, and pretending that she shares his interests. He is reading a book, so she sits next to him and pretends to read one too. She is, Austen writes, “as much engaged in watching Mr Darcy’s progress through his book, as in reading her own” and “perpetually either making some inquiry, or looking at his page”. He will not be distracted, so “exhausted by the attempt to be amused with her own book, which she had only chosen because it was the second volume of his”, she gives a great yawn and says the words that will appear on the bank note.

For anyone who has actually read “Pride and Prejudice”, Caroline Bingley is one of the characters you like to dislike.  And she never reads anything.  The sentiment is wonderful, but does the Bank of England really want irony on its banknotes?  Austen wrote often about money:  Having it, not having it, marrying for it, being married for it.  I’m sure they didn’t want a quote about money.  But the one they picked is almost as bad.  I think it is time for them to consult some Austen scholars or even have ask people to submit their favorite quotes.

And while I’m thinking about it, if they had adopted the Euro, this discussion would never have happened.  Makes me happy.

P.D. James and Jane Austen

I need to explain that I re-read Pride and Prejudice at least once a year.  I loved the early PBS version of the book, but that has been replaced now by the Colin Frith version which I own on DVD.  I’ve also dipped into some of the sequels and expansions (most are horrible) to feed by habit.  

P.D. James is one of my favorite writers.  I have read all of her mysteries. One of my favorites is An Unsuitable Job for a Woman which introduced the young Cordelia Gray.  Adam Dalgleish her primary detective is not only a police inspector, but also a published poet.  Her books are literate and the mysteries complex and interesting.  So when I saw that James had written a kind of sequel to Pride and Prejudice I ordered a copy immediately.  And I was not disappointed.

Death Comes to Pemberley

With her usual elegance, James tells brings us to the Darcy estate six years after Elizabeth Bennet married her Mr. Darcy.  They now have 2 children and Elizabeth has clearly taken hold as mistress of Pemberley.  All the other characters make their appearance including George Wickham who is still a wild neer do well and his wife, Elizabeth’s sister Lydia is still tends to hysteria.  They are at the heart of the mystery.

Liesal Schillinger in her review last week in the New York Times book review writes

James clearly understands that many readers feel as close an attachment to Austen’s characters as they do to their own relatives and friends. So she cannily begins by furnishing answers to the natural question: “Where are they now?”

How right it feels to learn, as James informs us, that Bingley and Jane moved away from Netherfield soon after their marriage, wanting to put distance between them and the ever-querulous Mrs. Bennet at Longbourn. What a delight to read that tone-deaf, humorless Mary Bennet has married a “thin, melancholy” rector, “given to preaching sermons of inordinate length and complicated theology.” How apt that the evil seducer George Wickham, after marrying Lizzy’s frivolous sister Lydia, worked as a secretary for the foppish baronet Sir Walter Elliot (a character from Austen’s novel “Persuasion”) until Lydia’s “open flirtation” with the baronet and Wickham’s simpering attempts to ingratiate himself with his employer’s daughter met “finally with disgust.” And what a treat to see Bingley’s snobbish sisters, Mrs. Hurst and Miss Bingley, get their comeuppance — and Harriet Smith (of “Emma”) her reward.

Above all, James will delight Austen’s devoted fans by showing Darcy and Lizzy to be (if anything) more in love and better matched than anyone might have hoped, six years into their marriage.

If you love Austen and you love James or you love one or the other, I think you will love this book.

(Illustration by Skip Sterling)